The next film we watched for Postmodernism is the 1998 remake of Alfred Hitchcock's Psycho staring Vince Vaughn as Norman Bates.
The story is about a murder mystery of Marion Craine, who embezzled the company she was working for and was on the run. The police, a detective and even her sister and Marion's lover is looking for her with the leads pointing towards the Bates Motel as her last known location.
This film is considered postmodern for being a shot by shot remake of the 1960's classic. It had some changes here and there to show times has changed but the majority shots are the same from opening credits to the end. A lot of the public did not like this film because it is a copy of the old film with not many new ideas of its own. However there are many ways to interpret this film, one can see this as tribute to the old film for being true to it's source or a coloured version of the old film. As for me I see it as a true remake for being unoriginal and shouldn't be shunned for that but in fact it should be praised for being a proper remake.