The film is about Christian, a young writer, moving to Paris to learn about love. He went to a cabaret called the Moulin Rouge where he meets an actress name Satine. The two of them fell in love but a jealous duke won't allow it so he is finding different ways to prevent them from being together.
This film was amazing, it uses a lot of cliche romance rules. Examples of this would be the story for having the hero falling in love with a woman who is out of his league. The woman is also involve with someone powerful, but in the end the woman and the hero falls in love. Another part of it's clicheness to romantic stories is when the characters sings out their feelings.
The Postmodernism of the film comes from the music it uses. They are not made up but are actual songs preformed by actual singers. It only has one song that belongs to itself which is the main song but the rest are from other performers. Another example of Postmodernism is the pacing of the film, it began with a very fast pace which I believe is the point of view of Christian where he first entered Moulin Rouge and everything was fast and wild. The film then slows down putting us as the audience once again to see how will this love story will unfold.
This pacing is Postmodern because of how fast the first few minutes started out. You have Christian meeting his neighbours, being invited to the Moulin Rouge, meeting the girl of his dreams, asked to make a play for the Moulin Rouge and keep the love affair a secret from the duke. That when the film slows down you do not remember what happened but you know that Christian have a job of writing a play and has to keep his love affair a secret. In other words in those first few minutes we are Christian and when the film slows down we are back as the audience.
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